Thursday, August 31, 2023

Erich Lessing

 

Erich Lessing



Erich Lessing in Vienna in 1955. In the post-war years, he said: "I wanted to tell the truth about the pain, death and destruction that Europe was facing." (Credit: Erich Hartmann / Magnum Photos

Erich Lessing, self-taught photojournalist who fled the Nazi annexation of Austria as a teenager in 1939 but returned after World War II to document Europe's political and cultural renaissance, covering numerous events in post-war Europe, such as the anti-Soviet revolt in Hungary. He died on August 29 in Vienna. He was 95 years old.

His death was announced by Magnum Photos, the agency that recruited him in 1951 after returning from Israel, where he had made a living driving a taxi, selling cameras, raising tents on a kibbutz, and taking photos of kindergarten classes and of mothers with their children on the beach near Tel Aviv.

 

After that Lessing would return to Europe, much less that he would return to Vienna permanently, might seem inconceivable given the childhood memories his hometown would invoke. His father died of cancer when he was 10 years old. His mother was left there when Erich emigrated to what was then Palestine and, like his grandmother, was murdered in a German concentration camp.

"He wanted to show what life was like after the war," he told The Guardian in 2016.

“I wanted to tell the truth about the pain, death and destruction that Europe was facing while trying to get out of the mess”

First for The Associated Press, then for Magnum, and in dozens of magazines, newspapers, and dozens of books, Lessing quickly emerged as a preeminent chronicler of the second half of the 20th century.

The streets of Katowice, the most important mining town in Poland, in 1956. (Credit: Erich Lessing/Magnum Photos)



He photographed President Dwight D. Eisenhower in 1955 in Geneva, tipping his hat as a beam of light crossed his face; Jubilant Viennese outside Belvedere Palace as the Allied occupation of Austria ended that year; General Charles de Gaulle saluting a fading shadow of French troops in Algeria in 1958; and Nikita S. Khrushchev melodramatically wielding an ax 70 miles from Paris after emerging from a summit conference with Eisenhower in 1960.

President Max Petitpierre of Switzerland greets President Dwight D. Eisenhower in Geneva in 1955. (Credit: Erich Lessing/Magnum Photos)



Lessing worked briefly as a war photographer in 1956, covering the Hungarian revolution against Soviet rule. But it soon became more focused on social and cultural issues, including Eastern Bloc beauty pageants and post-war bar mitzvahs in Poland, film sets, and art, including masterpieces from the book "The Louvre: All the Paintings." (2011).

 

Lessing said that he considered himself a craftsman, not an artist.

“I never thought he was doing anything other than telling stories,” he said. “The camera became the medium through which I did it, but I don't carry a camera everywhere. For me, it's simply the means to a very specific end. I see the world through my eyes and not through a camera viewfinder.

 

“I don't interpret or adjust anything in the darkroom,” he continued. I am a realist photographer.

General Charles de Gaulle salutes an honor guard on a trip to Algeria in 1958 during a nationalist war for independence there. (Credit: Eric Lessing/Magnum Photos)



While he captured the highs and lows of humanity's political manifestations, he was realistic about the effects of his work.

 

“I realized,” he once said, “that although reportage images have the power to move the world, they do not have the power to change it.”

Lessing was born on July 13, 1923, in Vienna, to Jewish parents. His father was a dentist, his mother was a concert pianist. As a child, he took up photography as a hobby. “I'm self-taught,” he said.

A scene in Budapest in 1956 during the Hungarian uprising against Soviet rule. Credit Eric Lessing / Magnum Photos



When he photographed Eisenhower, he recalled, many of his colleagues relied on his new gadgets while he patiently waited for an unforeseen opportunity.

 

“I had my Leica and that was it,” he recalled. “I looked at them all and thought, ‘Usually there's one hurdle: When your movie goes forward, that's when there's an interesting image to take.'”

Before he could finish high school, and with all of Europe preparing for war, he escaped by ship to the port city of Haifa in Palestine, where he studied radio engineering at technical school and served in Britain's Sixth Airborne Division as a photographer. and pilot.

A beauty pageant attracted such a large crowd in the coastal town of Sopot in post-war Poland that he had to be moved to the roof of a casino. Credit: Erich Lessing / Magnum Photos



He returned to Austria in 1947. David Seymour, Magnum's legendary co-founder with Robert Capa, hired him as a freelancer in 1951. He joined the agency full-time in 1955 and became a part-time contributor in 1979. In 2013, donated some 60,000 images to the Austrian National Library.

He is survived by three children from his marriage, to Traudl Wiglitzky, a Time magazine journalist, who died in 2016; four grandchildren; a great-grandson; and his second wife, Renée Kronfuss-Lessing. His daughter Hannah Lessing is general secretary of the National Fund of the Republic of Austria for Victims of National Socialism.

A truck collecting bodies on the streets of Budapest during the Hungarian uprising. (Credit: Eric Lessing/Magnum Photos)



Source: New York Times – Translation: Silvia Schnessel

With affection,

Ruben

 

Monday, August 28, 2023

Rafael Larco Hoyle

 

Rafael Larco Hoyle



From Wikipedia, the free encyclopedia

Rafael Larco Hoyle (18 May 1901 in Chicama Valley, Peru – 23 October 1966, Lima), raised at Chiclin, his family's estate, was sent to school in Maryland, United States, at the age of twelve. He later entered Cornell University to study agricultural engineering and by 1923 returned to Peru to work on the family's sugar cane plantation. After spending most of his youth abroad, Larco Hoyle arrived to Peru with the eyes of an outsider.



 With this foreigner's curiosity he explored the country and discovered an ancient cultural patrimony in the north coast. Larco Hoyle recognized the need to house these objects in a safe place. It was at that point, Larco Hoyle dreamt of a museum, one like the one he had seen in the United States.



 

In 1925, Larco Hoyle's father, Rafael Larco Herrera acquired a collection of vases and other archaeological pieces from Alfredo Hoyle, his brother-in-law. There were approximately 600 ceramic pieces in all. The arrival of these objects ignited a collector's enthusiasm in Larco Hoyle. Soon after, Larco Herrera left his son in charge of the collection and those pieces completed the first collection of what would become the Rafael Larco Herrera Museum.



 

During that same year, Larco Hoyle received some advice from his uncle, Victor Larco Herrera, a founder of the first museum in Lima. He urged Larco Hoyle to form a new museum in Lima, one that could guard all the archaeological relics that were continually being extracted by clandestine excavators.



Larco 1935

 

Larco Hoyle agreed with his uncle. He yearned to erect a living monument in honor of his father whom he admired so much for his patriotism and love for Peru. He got to work creating a museum that would carry on his father's legacy. Larco Hoyle purchased two large collections: 8000 pieces from Roa and 6000 pieces from Carranza. He also purchased several small collections in Chicama Valley, Trujillo, Virú, and Chimbote. Within a year, the collection had grown significantly and display cases were installed in a small house on the Chiclín estate. On July 28, 1926, Independence Day, the Rafael Larco Herrera Museum opened its doors to the public.

 

With the museum up and running and a collection of approximately 30,000 pieces, Larco Hoyle began classifying the collection. Peruvian archaeology was in its infancy and Larco Hoyle realized many typologies were yet to be recognized. He set out to correct that and approached archaeological research academically. During the 1930s, he discovered many distinct Peruvian cultures such as Viru, Salinar, Cupisnique, and Lambayeque. The focus of his research became the Mochica culture. In 1946, Larco Hoyle, director of the Larco Museum, developed the first Peruvian chronology of ancient cultures, one that has remained current.

 

Archaeological contributions

Discovery of the archeological site of Cupisnique (1933).

Discovery of the Virú culture in the cemeteries of Pampa de los Cocos and Pampa de Moche (1933).

Discovery of Queneto and its ceramics (1934).

Discovery of the pre- Cupisnique ceramics (1939).

Discovery of the Cupisnique culture (1939).

Discovery of the cemeteries containing ceramics called Cupisnique de Santa Ana and the culture of the same name (1939).

Discovery of the cemeteries containing ceramics called Cupisnique de Santa Ana and the culture of the same name (1939).

Discovery of tombs with hybrid ceramics Mochica - Virú (1940).

Discovery of the Salinar culture (1941).

Opening of the first tomb in the valley of Virú and find of the hybrid cemeteries called by him Virú - Cupisnique.

Discovery of the hybrid vases Salinar - Cupisnique in the valley of Virú.

Discovery of lithic tools used by the hunters in the Pre- Ceramics Age (pampas of Paiján and Cupisnique).

Find of the vases of the Virú culture in the valleys of Chicama, Santa Catalina, Santa, Pacasmayo, Lambayeque and Piura.

Discovery of the Virú vases, with positive ornamentation and called by him Virú of Chicama.

Discovery of the Pacopampa ruins from the Evolutionary Age and of tools of the culture that existed there.

Discovery of the pre - Mochica phase, called Complex Mochica or Initial Mochica.

Find of tombs with orange vases and its relation with Virú vases, previous to Mochica.

Find of the superimposed tombs and stratifications that allowed him to sort the five Mochica periods.

Discovery of Barbacoa of Cupisnique, Salinar, Virú and Mochica superimposed tombs that resulted in the determination, for the first time, of the chronological order of the pre - Mochica cultures.

Discovery of the fact that the Huari culture, called Tiahuanaco, spread all over the Peruvian territory and that its center was not Tiahuanaco but Huari in Ayacucho.

Discovery and declaration of the existence of the Lambayeque culture which is sorted into two periods : Lambayeque I and II, and the Huari - Lambayeque culture, distinguishing the Chimú culture from the Lambayeque culture.

Explanation of why it was not found the Middle Chimú, largely searched by the American archeologists proving that the Chimú culture is the result of the fusion of Mochica, Lambayeque and Huari cultural elements.

Classification, for the first time, of what nowadays is called Chimú - Inca ceramics, distinguishing it from the Chimú ceramics.

Discovery of ceramics of Incaic shapes with Spanish glaze.

Discovery of the fact that the culture called Recuay or Callejón de Huaylas had its center in the valley of Santa and not in the mountains, as it was thought.

Finds, for the first time, of Santa ceramics in the valleys of Chao and Virú.

Discovery of the fact that the center of the italic ceramics - that some considered Chimú - was the Lambayeque department. He named and described it.

Determination of the sequence of the adobes in the constructions, beginning with the Cupisnique conic sections, the Salinar spherical skullcaps and Mochica and Chimú types of rectangular sections.

Discovery of the fact that the Chimú settlers used and worked with bricks.

Statement of the deity evolution, from the feline to the God - Man, with large canines and wrinkled face that is represented in the Peak Age.

Discovery of the Mochica writing after its spread all over the Peruvian territory.

Statement that the Maya and Mochica writings have the same origins.

Discovery of the Pre - Ceramics Age in Paracas.

Division of the study on the evolution of the Peruvian cultures into seven ages : Pre -Ceramics, Initial Age of the Ceramics, Evolutionary, Peak, Fusional, Imperial and Conquest.

Classification of the Huari ceramics into Huari A, Huari B and Huari C which represents the total decline of this culture.

Demonstration, for the first time, of the charts of the different coast valleys and of the main mountain centers classifying them by ages and periods and including within them the cultures settled in those places.

Discovery of the fact that the Mochicas used lead and iron.

Discovery of the fact that the Vicus silvered the copper and gilded it on its outside part.

Discovery of the fact that the Chimú silvered the copper.

Statement that the origins of Mochica I are placed in Vicus.

Sorting, for the first time, of the Mochica and other cultures funerary ceramics by subject and series.

Discovery of the fact that the circumcision was practiced by the ancient Mochicas.

Verification of the existence of the syphilis in the ancient Peru.

Statement, for the first time, that there was not a Chavín empire but a decorative style used by other cultures of the Evolutionary or Formative Age.

Find of white over red Salinar vases in Piura, Chiclayo, Pacasmayo, Valley of Chicama, Santa Catalina, Virú, Chao, Santa and Nazca.

Statement of the complete chronology pertaining to the cultures in the north of Peru which is included in his book CRONOLOGÍA ARQUEOLÓGICA DEL NORTE (ARCHEOLOGICAL CHRONOLOGY OF THE NORTH), published in 1948. The cultural sequence has been verified by foreign groups of archeologists.

Statement, for the first time, that the incised ceramics called Chavín cannot be considered a horizon because in that way the vases with negative ornamentation and the cream over red vases would have to be considered horizons as well

Bibliography

Los Mochicas, Vol. I: Capítulo I: Origen y evolución de los agregados sociales de la Costa del Perú. Capítulo. II: Geografía. Lima (Perú), 1938.

Los Mochicas, Vol. II: Capítulos III, IV, V, y VI: La raza, la lengua, la escritura y el gobierno. Lima (Perú), 1940.

Los Cupisniques: Trabajo presentado à la XXVII reunión del Congreso Internacional de Americanistas de Lima. Casa editora "La Crónica" y "Variedades" S.A. Lima (Perú), 1941.

La Escritura Mochica Sobre Pallares: Extracto de la Revista Geográfica Americana. Buenos Aires (Argentina), 1942.

La Escritura Sobre Pallares: Extracto de la Revista Geográfica Americana. Buenos Aires (Argentina), 1943.

Cultura Salinar: Síntesis monográfica. Buenos Aires (Argentina), 1944.

La Escritura Peruana Sobre Pallares: Ed. de las Relaciones de la Sociedad Argentina de Antropología. Buenos Aires (Argentina), 1944.

La Escritura Peruana Pre-Incana: Sobretiro de "El México Antiguo". Revista Internacional de Arqueología, Etnología, Folklore, Pre-Historia, Historia Antigua y Lingüística. México D.F., 1944.

La Cultura Virú: Monografía. Buenos Aires (Argentina), 1945.

Los Mochicas: (Pre-Chimú, de Uhle, y Early Chimú, de Kroeber). Síntesis monográfica. Buenos Aires (Argentina), 1945.

A Culture Sequence for the North Coast of Peru: En Handbook South American Indians. Washington D.C., 1946.

Los Cupisniques: Síntesis monográfica. Buenos Aires (Argentina), 1945.

Cronología Arqueológica del Norte del Perú. Buenos Aires (Argentina), 1948.

La Cultura Santa, 1962.

La Divinidad Felínica-Lambayeque, 1962.

Las Épocas Peruanas, 1963.

La Cultura Vicús, 1965.

Museo Rafael Larco Herrera, 1965.

Checan: Ediciones Nagel. Ginebra (Suiza), 1965.





With affection,

Ruben

 

Sunday, August 27, 2023

Larco Museum 1

 

Larco Museum 1




About the museum











The Larco Museum was founded in 1926 by Rafael Larco Hoyle, a pioneer of Peruvian archaeology, and houses a fascinating collection of pre-Columbian art of approximately 45,000 archaeological pieces.

Located in an 18th century viceregal mansion and surrounded by beautiful gardens, the Larco Museum is a space that stimulates and inspires, and where you can enjoy and understand the fascinating history of ancient Peru.

Mission and vision

The mission of the Larco Museum is to inspire our visitors by making them discover, understand and appreciate pre-Columbian Peru. In order to achieve this objective, we have sought to turn the museum into a comprehensive experience.

Ultimately, our vision is to become the gateway to ancient Peru.

 

Directory

Executive Presidency

Andres Alvarez Calderon Larco

Address

Ulla Holmquist Pachas

direccioncultural@museolarco.org

 

General management

Rosa Maria Novack

 

General information

info@museolarco.org

institutional relations

samantha@museolarco.org

 

International relations

rocio@museolarco.org

communications

community@museolarco.org

 

Collection Curation and Academic Affairs

curatorship@museolarco.org

Registration and cataloging

registro@museolarco.org

 

Education

education@museolarco.org

 

Conservation

conservacion@museolarco.org

 

Rafael Larco Hoyle (1901-1966)



Biography

 He was a notable Peruvian scholar who excelled in various disciplines of knowledge, such as archaeology, agricultural engineering, finance, and native history. He was a sponsor and explorer of countless expeditions in which important pieces of pre-Columbian manufacture were discovered. Ceramics, metals and textiles were some of those pieces. He also found writing samples from these civilizations. He delved into systematic research, analysis, and registration of the original cultures of the Republic of Peru: the Chavín, the Paracas, the Cupisniques, the Tiahuanacos or Huari, and the Mochica. Larco Hoyle managed to gather important archaeological material of such great historical and patrimonial value for his native country. In the year 1926 he decided to found a museum to expose his collection to the general public. The museum was named after his father, Rafael Larco Herrera, who was his model and inspired his passion for the art of Peru. This museum constitutes one of the most important cultural treasures of the Peruvian nation. Biography Birth and early years Rafael Carlos Víctor Constante Larco Hoyle was born on May 18, 1901 into a wealthy family in Peru. He came into the world on the Chiclín farm, in the city of Trujillo. He was the son of the politician and businessperson Rafael Larco Herrera, of Italian descent; and Esther Hoyle, of English descent. Rafael Larco Hoyle held a dense and prestigious lineage, since his two families (both the paternal and the maternal) had economic and political power and great social influence. Rafael Larco, was prepared from a young age to occupy important positions within the family businesses.

He attended primary school at the exclusive Modern Institute, located in Trujillo.

 He then attended the First Benemérito National College of the Republic Our Lady of Guadalupe. This is a Lima institution from which the best of Peruvian citizens have graduated. At the age of 13, he was sent to the US to study at Tome High School in Maryland. At the age of 18, he traveled to New York to enroll at Cornell University, a private institution where he studied Agronomy. When he was 21 years old, he studied engineering at New York University, and the following year he enrolled to graduate in Business Administration and Financial Studies. His professional profile, in the theoretical field, was almost ready to take over the reins and lead the family's sugar companies on his native Chiclín hacienda. He just lacked practice; for this, he traveled to Cuba, Puerto Rico, Hawaii and some European countries. life as an entrepreneur Upon returning to Peru, he married Isolina Felicita Debernardi Alva. She already had a daughter named Carola Margarita, to whom Rafael gave her last name despite not being the biological fruit of the union. Later, his biological daughter, María Isabel, was born. In 1924, Rafael Larco Hoyle had already taken control and direction of the family's sugar company in the Chicana Valley. He took care of modernizing it and implementing excellent social conditions for his workers.

This researcher and businessperson had the privilege of being born in northern Peru. This is an area rich in pre-Inca vestiges, many of which he found on his property.

 

His passion for these archaeological treasures was such that he undertook numerous expeditions in the company of his family and friends. His objective was to dig and find more elements with which to enlarge his already large collection of aboriginal objects.

He wrote multiple works that documented his archaeological findings, which constitute an important legacy for the understanding and study of the first civilizations settled in the Andean territory.

 

Death

He passed away on October 23, 1966. He left the best of gifts to his native land: the rescue of his memory and culture.

 

Contributions by Rafael Larco Hoyle

He contributed to the chronological ordering of the different cultural phases of the Peruvian aboriginal settlements: from the most outstanding to the most discreet. This meant a new way of organizing previous studies, as well as an interesting way of approaching the culture of Peru.

 

He classified these phases into seven periods:

 

I- From pre-ceramic

 

II- From the beginning of ceramics.

 

III- Evolutionary (or formative).

 

IV- Of the boom.

 

V - Fusional.

 

VI - Imperial.

 

VII- Of the Conquest.

His work represented a milestone in the studies on the original settlers, since before him these investigations had been entrusted to foreign researchers (German and North American).

 

This renowned Latin American researcher demolished many of the theories of foreign archaeologists who tried to teach Peruvians about the origin and evolution of their own culture.

 

Achievements

– Due to his hard investigative work, Rafael Larco Hoyle deserved the title of founder of the archaeology of Peru. He shares this honour with another archaeologist and colleague, Julio César Tello.

 

– He was the pioneer in finding archaeological veins in the towns of Cupisnique, Queneto, Salinar, Pacopampa, Barbacoa and Virú.

 

– He dismantled theories of renowned archaeologists by stating that the remains of Punkurí are older than the Chavín sanctuary; the latter is considered the cradle of Andean civilizations. Larco maintained that Peruvian cultural development began in the north of the country, later radiating to the south.

He initiated the study of the lithic points of the locality of Paiján.

 

– He postulated as viable the symbolic communication system of the native groups of Peru. They transmitted his ideas through the use of a type of seed or spotted bean, known in the region as Pallares(Quechua language.                                                                                                                                                                                                                                                                                                                                                                                               He promoted the theory of pallariform writing. This takes the natural spot patterns of these legumes to create a kind of graphic code or hieroglyphics for the dissemination of messages.

 

Memberships

Rafael Larco Hoyle was named a member of several recognized associations in Latin America and Europe.

 

Among these organizations are the following: Geographical Society of Lima, Argentine Society of Anthropology, Archaeological Society of Bolivia, Scientific Society of Valparaíso, the Societé des Americanistes of Paris, The American Geographical Society and the Rotary Club.

Cite this article: Lifer. (December 15, 2022). Rafael Larco Hoyle. Retrieved from: https://www.lifeder.com/rafael-larco-hoyle/.

 Some important cultural works of Peru preserved by the Larco Museum

Editor's Note: The material offered below are own photos

Huacos













 



















Jars















With affection,

Ruben