History
of the Museum of Fine Arts of Lima
On
September 18, 1910, the current Palace of Fine Arts was inaugurated, located
inside the Forest Park. The building was declared a National Monument on
December 30, 1976.
With the
presence of the President of the Republic, Mr. Aníbal Pinto, and his Minister
of Instruction, Mr. Manuel García de la Huerta, the inauguration of the first
National Museum of Fine Arts took place on September 18, 1880.
It
functioned at the heights of Congress until 1887 and was later moved to the
Quinta Normal de Agricultura.
In May
1901, an architectural competition organized by Ramón Subercaseaux and Alberto
Mackenna was held to create a definitive building for the museum. The architect
Emilio Jecquier was the winner.
After
nine years overcoming difficulties, finally, on September 18, 1910, the current
Palace of Fine Arts was inaugurated, located inside the Forest Park. The
building was declared a National Monument on December 30, 1976.
The Museum
of Fine Arts is the main and most jealous guardian of the national artistic
heritage. The 1985 earthquake seriously affected the structure of its building.
For this reason, it was currently under repair and closed to the public for a
long time.
This building
constitutes not only an exhibition place, but also a center of great activity
and dissemination of artistic events.
It has
about twenty rooms where its permanent collection is exhibited and several
where temporary exhibitions are organized, others for audiovisual exhibitions
and an auditorium with capacity for 300 people, which is used as a place for
conferences and concerts.
National
museum of fine arts. Photo: National Museum of Fine Arts
THE
MUSEUM OF FINE ARTS WAS INAUGURATED IN 1910. PHOTO: NATIONAL MUSEUM OF FINE
ARTS
Museum
works
There are
collections that range from the origins of Chilean painting to the latest
trends, represented by works of new artistic manifestations.
During
the 16th, 17th, and 18th centuries, few paintings were made in Chile. Chilean
society and religious orders used to provide themselves with works born in the
workshops of Quito, Lima or Cuzco.
In the
Museum of Fine Arts they have preserved such relevant works as “Escape from
Egypt”; by Melchor Pérez de Olguín, “Patrocinio de San José”; by Gaspar Miguel
de Berrio; “Dolorosa” and “Fray Pedro Bardesi and the poor”, by anonymous
Chileans.
After
Independence, foreign artists were the ones who gave impetus to painting.
In the
middle of the century, a first generation of national artists emerged, at first
highly influenced by European precursors, such as Carlos Wood, an English
sailor born in Liverpool, England, and arrived in Chile in 1819; Juan Mauricio
Rugendas, Bavarian draftsman, painter and engraver, who set foot on Chilean
soil in 1834; Raimundo Monvoisin, born in France, who arrived in the country in
1842; Ernesto Charton, arrived in 1844 and Giovatto Molinelli, who visited our
homeland between the years 1859-1861. There are works of the vast majority of
them in the museum.
Among the
great masters of Chilean painting are, among others, "The Letter" by
Pedro Lira; "The Merchant's Pearl" by Alfredo Valenzuela Puelma;
“Riberas del Mapocho”, by Alberto Valenzuela Llanos; “Calle de Limache”, by
Juan Francisco González.
The
Generation of 13 is represented by artists such as Agustín Abarca, with “El
Solita-rio”; Exequiel Plaza and “La Fuente”; Arturo Gordon, with “Novena del
Niño Dios”; Fernando Álvarez de Sotomayor and “Galician Scene”; Abelardo
Bustamante with “Head of Study”, among other works.
There are
complete collections of the Generation of '40 and the latest trends, including
works by Roberto Matta, Nemesio Antúnez, Pedro Lobos, Henriette Pettit, Ricardo
Irarrázaval.
In
addition to the valuable collection of Chilean paintings, important collections
of renowned foreign artists have also been exhibited, such as: Corot, Dupré,
Boudin, Murillo, Teniers, Rembrandt; Rubens, Wittgenstein, Picasso, Tanguy,
Brauner, Lam and others.
And just
as painting forms an important part of the museum's collections, samples of
Chilean sculpture, valuable furniture, tapestries and art objects also occupy a
prominent place.
Painting
Gallery and others
Note: Photos are from personal archive
With affection'
Ruben
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