Alfonso Tealdo,
journalist to remember
Personal
information
Birth
August
15, 1914
Lima ,
Peru
Death
July 31,
1990 (age 75)
Lima ,
Peru
Grave
El Ángel
Cemetery
Nationality
Peruvian
Family
Parents
Catalina
Simi and Humberto Tealdo
Spouse
Lourdes
by Rivero Bustamante
Children
Ana Rosa, Alfonso and Gabina
Education
Educated
in
Pontifical
Catholic University of Peru
Professional
information
Occupation
Journalist
and interviewer
Biography
He was
the son of Humberto Tealdo and Catalina Simi. He studied at the old
Anglo-Peruano School, now Colegio San Andrés de Lima, from which he graduated,
obtaining the Bentinck Prize in 1932. Since his school years, he demonstrated
his skills by writing in the magazine Leader , his first article was related to
Muhammad .
Although
he was interested in science (he represented his school in inter-school
competitions), with the influence of his teachers Raúl Porras Barrenechea and
Jorge Guillermo Leguía, he prepared to continue his studies in Literature at
the Universidad Nacional Mayor de San Marcos . But, because it was closed, he
pursued higher education at the PUCP , from which he graduated with the
satisfaction of having found excellent teachers.
He worked
in the old newspaper La Prensa , in Lima, then in a tourism magazine and won
the National Journalism Award. She had no problems in the time of Odría , in
which she had an easy time, until she maintained a hidden adhesion to the
Tarmean ruler.
He was
married to Lourdes de Rivero Bustamante and had three children: Ana Rosa,
Alfonso and Gabina.
After working on the radio, in 1958, he moved on to television, where he was an incisive interviewer on programs such as Ante el Público , Round Table , Pulso
and the memorable Tealdo Questions . It was the episode starring Eudocio
Ravines and Genaro Carnero Checa that caused the greatest stir at its time.
Carnero had the luxury of slamming Ravines when he called the members of a
party that he himself founded "cowards."
He also
directed news programs, such as El panamericano , and entertainment programs,
such as Perú 74 .
Twenty-seven
years after his departure, a profile of the first and most notable interviewer
on Peruvian television. Erudite, controversial and irascible, Tealdo does not
deserve to be forgotten.
By: Juan
Gargurevich
Alfonso
Tealdo was for half a century the undisputed king of the interview in Creole
journalism. I interviewed him once, back in 1985, in his small Panamericana
Televisión office, on Arequipa Avenue; We chatted briefly and then went out for
coffee in nearby Berisso. During the short hour that we talked about the
history of Pulso, his and others' great panel show, Tealdo drank two espressos
and smoked a dozen cigarettes.
Thin, big
head and broad forehead, very white, thick glasses, he gave the impression of
being a bundle of nerves, or maybe I found him at the wrong time. He was a
little reluctant to speak, as if impatient for the conversation (at some point
I was afraid he would run away), but he wanted to continue talking... about
himself, of course, his main character.
Tealdo
was born in Lima in 1914 and studied at the Anglo Peruano school. In high
school he was already writing and directing the collegiate magazine Leader,
where he published an article about Muhammad, which marked his debut in
journalism.
He could
not then enter the University of San Marcos to study Literature because it was
closed and, like many of his time, he headed towards the Catholic University,
the only private one at that time and which maintained and defended its
stability above political vicissitudes.
When
Tealdo studied Literature in the old Plaza Francia premises, in 1935, an APRA
militant killed the director of El Comercio and his wife; an event that moves
the country and accentuates the persecution against APRA and its leader, Haya
de la Torre.
In 1937
Tealdo began to publish some articles in El Comercio. He then wrote essays and
did interviews for Tourism magazine. In 1944 he would win his first award, none
other than the National Journalism Award.
He would
not stray further from the profession, even in his time as a diplomat. During
the government of Luis Bustamante y Rivero (1945-1948) he was appointed
cultural attaché in Mexico and then returned to Lima to found the famous Gala
magazine.
In Gala,
relations with the high world would be provided by Jorge Holguín de Lavalle and
publicity would be provided by Doris Gibson. They finally launched it into
circulation in May 1948 at the inconceivable price of twelve soles when
newspapers cost 15 cents and magazines one sol. It was a journalistic and
social event but a commercial failure.
He
“imposed the interview-attack in which he tried by all means to relentlessly
put his interviewees in trouble.”
Tealdo
then decided to move into the information and political area with the weekly
¡Ya!, which circulated since February 1949. Its first cover featured the photo
of the Brazilian fakir Urbano. This, by coincidence, chose the same day of the
launch to leave the urn where he had allegedly broken the world record for
fasting.
Now! He would
be independent, but a few weeks later Tealdo proclaimed his support for the
candidacy of José Quesada Larrea, who competed with Manuel Prado in the
elections of 39 and was ambassador to Argentina for the Bustamante government.
The elections were scheduled for July 2 of the following year.
Soon
Tealdo abandoned ¡Ya! Soon after, the advertising campaign for Pan, his new
magazine, began: “Pan: it will be like bread, it will be on everyone's table.
In that of the poor and in that of the rich.”
Pan got off
to an auspicious start due to an ingenious advertising campaign. On the day of
departure, July 8, 1949, a Faucett company plane flew over Lima dropping
vouchers for prizes (suits, fountain pens, etc.) and copies of the magazine.
Pan was
not spared from persecution. The police notified Tealdo that he had to close
it, and he accused La Prensa: “Ravines has not triumphed. My closure means his
defeat. His definitive defeat (…) I will see him selling sugared cotton in the
streets.”
The
following years were one of intense bohemianism, some advertising,
collaboration in newspapers that accepted his essays and interviews, and some
small-scale editorial adventures such as Dedeté, whose motto was: “A weekly
against all kinds of parasites,” or partnership to edit the humorous
Loquibambia, a highly successful radio program with scripts by Freddy, a
talented Argentine.
In 1958
Tealdo ventured into radio writing La Voz y la Pluma for Radio Nacional, a text
that was read by the well-known announcer Guillermo Lecca. Then he will
transfer his program to Radio Central and later to Radio Panamericana, both
stations owned by the Delgado family. It will be the Delgados who launch it on
television with probably unexpected success.
In 1960,
Ante el Público began on Channel 13. The program began under the direction of
Jorge Luis Recavarren, but shortly after Tealdo would replace him.
For him,
however, more adventures awaited him in the written press. The next was as
editor. In 1961, and with the sponsorship of Pedro Beltrán and La Prensa, he
launched the evening newspaper El Diario, a good tabloid that had a fleeting
history.
Everything
indicated that the 1962 elections would be very close; Fernando Belaunde Terry,
from Acción Popular, and Víctor Raúl Haya de la Torre, historical leader of
APRA, faced each other.
It was
the first time that television had the opportunity to cover a major electoral
event. As will be remembered, the commercial era of the new medium only began
with Channel 4, in 1958. Four years later, in 1962, the program Las Cartas
sobre la mesa appeared, hosted by the editor of La Prensa, Luis Rey de Castro.
“The
media that reported on his disappearance remembered him as the best interviewer
in the history of Peruvian journalism”
The
following years were of full collaboration with television, together with the
Delgado Parkers. Tealdo directed the El Panamericano news program until 1965,
the year in which he was replaced by Julio Estremadoyro. Carlos Paz Cafferata
would later call him up for the Peru-67 Saturday program. This changed its name
every year. There he took charge of the interview sequence called “Tealdo
Asks.”
It was
Tealdo's moment of glory on television, say colleagues who worked with him or
remember his programs. According to them, he imposed the interview-attack in
which he tried by all means to relentlessly put his interviewees in trouble. To
do this, Tealdo investigated the topics in depth and since he considered that
he already knew the answers, he constantly interrupted his 'victims' and did not
allow them to develop complete concepts.
The
program was suspended around 1973. Only the Ferrando Springboard to Fame
sequence remained and Tealdo had to wait until the new 24 Hours news program
was founded. There they offered him a space for interviews.
In March
1976, the military government decided to renew the directors of the newspapers
in the process of expropriation and called Tealdo to direct El Comercio, a
position he held until June 1978. He no longer collaborated with the military
government and returned to television for a last stage characterized by the
accentuation of bohemianism that finally caused him a terminal illness. He died
on June 31, 1988. The media that reported on his disappearance remembered him
as the best interviewer in the history of Peruvian journalism.
With
affection,
Ruben
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