Thursday, February 23, 2023

Gerardo Matos Rodríguez: Lyrics La cumparcita

 Gerardo Matos Rodríguez 


La cumparsita




 

From Wikipedia, the free encyclopedia

Gerardo Anacleto Matos Rodríguez

MRodriguez.jpg

Background information

Birth name    Gerardo Hernán Matos Rodríguez

Also known as           Becho

Born   March 28, 1897

Montevideo, Uruguay

Died    April 25, 1948 (aged 51)

Montevideo, Uruguay

Genres            Tango

Occupation(s)           Composer, journalist, piano player

Instrument(s)           Piano

Years active   1917–1948

Gerardo Hernán Matos Rodríguez (March 28, 1897 – April 25, 1948), also known as Becho, was a Uruguayan musician, composer and journalist.

 

Background and early career

Gerardo Hernán Matos Rodríguez was born in Montevideo, the son of the owner of the Moulin Rouge, a popular local cabaret. He studied architecture, but did not complete the course. He began composing as a young student in 1917, and his first known work was "La Cumparsita", which he wrote on the piano of the Federación de Estudiantes of Uruguay [1] Archived April 20, 2014, at the Wayback Machine. It became one of the most recognizable tango pieces, though Matos was initially too shy to play the piece himself and it became well known through the performance of others.

 

He travelled widely throughout Europe and stayed in Paris for a time, as well as working as Uruguayan consul to Germany. In 1931, he collaborated on the film score for Luces de Buenos Aires, shot in Joinville-le-Pont, France, and starring renowned tango vocalist Carlos Gardel.

 

Principal compositions

 

Breyer Hermanos, La Cumparsita, 1916

The most famous classic tango of all times is "La Cumparsita", written by Matos Rodríguez in 1916, with lyrics added later by Pascual Contursi and Enrique Pedro Maroni. Roberto Firpo, director and pianist of the orchestra that premiered the song, added parts of his tangos "La Gaucha Manuela" and "Curda Completa" to Matos' carnival march, resulting in "La Cumparsita".

 

Matos Rodríguez also composed pieces for theater plays premiered in Buenos Aires, among them Manuel Romero's El Gran Circo Rivolta. He led his own tango orchestra in Montevideo for a short time afterwards.

 

Other tangos composed by him include: “Che papusa, oí”, “Son grupos”, “Yo tuve una novia”, “Cuando bronca el temporal”, “Hablame”, “Pobre corazón”, “Haceme caso a mí”, “Canto por no llorar”, “Rosa reseca”, “Botija linda”, “El pescador”, “Te fuiste, ¡ja, ja!”, “Adiós Argentina”, “Mi provinciana”, “La milonga azul”, “Dale celos”, “Raspail”, “Mocosita”, “La muchacha del circo”, and “San Telmo”. Rodríguez collaborated with the lyricists Enrique Cadícamo, Victor Soliño, Juan B. A. Reyes, Manuel Romero and Fernán Silva Valdés. With the latter he wrote a series of Canciones Montevideanas ("Songs of Montevideo"), including "Margarita Punzó".

 

He died in Montevideo after a long illness in 1948.

Lyrics La cumparcita

If you knew that still inside my soul

I keep that love that I had for you

who knows if you knew

that I have never forgotten you

going back to your past

You will remember me

friends no longer come

not even to visit me

no one wants to comfort me

in my affliction

Since the day you left

I feel anguish in my chest

I said percanta: what have you done

Of my poor heart?

to the abandoned parrot

not even the morning sun

peek out the window

like when you were

And that companion dog

that because of your absence I did not eat

Seeing me alone the other day

she left me too

If you knew




 


 


With affection,

Ruben


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