Sunday, April 30, 2023

Raúl Soldi (1905 - 1994)

 



Raúl Soldi (1905 - 1994)



"Happiness lies in not wanting more than one can get. My purpose is not to represent a different world, but an equivalence of the one that surrounds me."

– Raul Soldi

 

Raúl Soldi (March 27, 1905 - April 21, 1994) was an Argentine painter and engraver born in Buenos Aires, Argentina. Despite his family's musical inclinations, Raúl chose to study art. Before moving to Europe, he studied at the National Academy of Fine Arts in Buenos Aires. In 1923, Soldi furthered his education at the Royal Academy of Brera in Italy. Raúl died on April 21, 1994, at the age of 89, in Buenos Aires.

Art Works


Dance Steps


Dialogue


Fan


Hammosck



Italian Hut


Hut with Flowers


Kiss


Musicians


Musicians 2


Times By


Love Times


Nazareth

With affection,

Ruben








Sunday, April 23, 2023

Antonio Vivaldi

 

Antonio Vivaldi

Italian composer



Source: Michael TalbotThe Editors of Encyclopedia Britannica


Antonio Vivaldi, in full Antonio Lucio Vivaldi, (born March 4, 1678, Venice, Republic of Venice [Italy]—died July 28, 1741, Vienna, Austria), Italian composer and violinist who left a decisive mark on the form of the concerto and the style of late Baroque instrumental music.



 

Life

Vivaldi’s main teacher was probably his father, Giovanni Battista, who in 1685 was admitted as a violinist to the orchestra of the San Marco Basilica in Venice. Antonio, the eldest child, trained for the priesthood and was ordained in 1703. His distinctive reddish hair would later earn him the soubriquet Il Prete Rosso (“The Red Priest”). He made his first known public appearance playing alongside his father in the basilica as a “supernumerary” violinist in 1696. He became an excellent violinist, and in 1703 he was appointed violin master at the Ospedale della Pietà, a home for foundlings. The Pietà specialized in the musical training of its female wards, and those with musical aptitude were assigned to its excellent choir and orchestra, whose much-praised performances assisted the institution’s quest for donations and legacies. Vivaldi had dealings with the Pietà for most of his career: as violin master (1703–09; 1711–15), director of instrumental music (1716–17; 1735–38), and paid external supplier of compositions (1723–29; 1739–40).

 

Soon after his ordination as a priest, Vivaldi gave up celebrating mass because of a chronic ailment that is believed to have been bronchial asthma. Despite this circumstance, he took his status as a secular priest seriously and even earned the reputation of a religious bigot.

 


Antonio Vivaldi


Vivaldi’s earliest musical compositions date from his first years at the Pietà. Printed collections of his trio sonatas and violin sonatas respectively appeared in 1705 and 1709, and in 1711 his first and most influential set of concerti for violin and string orchestra (Opus 3, L’estro armonico) was published by the Amsterdam music-publishing firm of Estienne Roger. In the years up to 1719, Roger published three more collections of his concerti (opuses 4, 6, and 7) and one collection of sonatas (Opus 5).

Vivaldi made his debut as a composer of sacred vocal music in 1713, when the Pietà’s choirmaster left his post and the institution had to turn to Vivaldi and other composers for new compositions. He achieved great success with his sacred vocal music, for which he later received commissions from other institutions. Another new field of endeavour for him opened in 1713 when his first opera, Ottone in villa, was produced in Vicenza. Returning to Venice, Vivaldi immediately plunged into operatic activity in the twin roles of composer and impresario. From 1718 to 1720 he worked in Mantua as director of secular music for that city’s governor, Prince Philip of Hesse-Darmstadt. This was the only full-time post Vivaldi ever held; he seems to have preferred life as a freelance composer for the flexibility and entrepreneurial opportunities it offered. Vivaldi’s major compositions in Mantua were operas, though he also composed cantatas and instrumental works.

The 1720s were the zenith of Vivaldi’s career. Based once more in Venice,



 but frequently traveling elsewhere, he supplied instrumental music to patrons and customers throughout Europe. Between 1725 and 1729 he entrusted five new collections of concerti (opuses 8–12) to Roger’s publisher successor, Michel-Charles Le Cène. After 1729 Vivaldi stopped publishing his works, finding it more profitable to sell them in manuscript to individual purchasers. During this decade he also received numerous commissions for operas and resumed his activity as an impresario in Venice and other Italian cities.



1678-1741

In 1726 the contralto Anna Girò sang for the first time in a Vivaldi opera. Born in Mantua about 1711, she had gone to Venice to further her career as a singer. Her voice was not strong, but she was attractive and acted well. She became part of Vivaldi’s entourage and the indispensable prima donna of his subsequent operas, causing gossip to circulate that she was Vivaldi’s mistress. After Vivaldi’s death she continued to perform successfully in opera until quitting the stage in 1748 to marry a nobleman.

 

In the 1730s Vivaldi’s career gradually declined. The French traveler Charles de Brosses reported in 1739 with regret that his music was no longer fashionable. Vivaldi’s impresarial forays became increasingly marked by failure. In 1740 he traveled to Vienna, but he fell ill and did not live to attend the production there of his opera L’oracolo in Messenia in 1742. The simplicity of his funeral on July 28, 1741, suggests that he died in considerable poverty.

 

After Vivaldi’s death, his huge collection of musical manuscripts, consisting mainly of autograph scores of his own works, was bound into 27 large volumes. These were acquired first by the Venetian bibliophile Jacopo Soranzo and later by Count Giacomo Durazzo, Christoph Willibald Gluck’s patron. Rediscovered in the 1920s, these manuscripts today form part of the Foà and Giordano collections of the National Library in Turin.

 

Instrumental music of Antonio Vivaldi

Almost 500 concerti by Vivaldi survive. More than 300 are concerti for a solo instrument with string orchestra and continuo. Of these, approximately 230 are written for solo violin, 40 for bassoon, 25 for cello, 15 for oboe, and 10 for flute. There are also concerti for viola d’amore, recorder, mandolin, and other instruments. Vivaldi’s remaining concerti are either double concerti (including about 25 written for two violins), concerti grossi using three or more soloists, concerti ripieni (string concerti without a soloist), or chamber concerti for a group of instruments without orchestra.

 

Vivaldi perfected the form of what would become the classical three-movement concerto. Indeed, he helped establish the fast-slow-fast plan of the concerto’s three movements. Perhaps more importantly, Vivaldi was the first to employ regularly in his concerti the ritornello form, in which recurrent restatements of a refrain alternate with more episodic passages featuring a solo instrument. Vivaldi’s bold juxtapositions of the refrains (ritornelli) and the solo passages opened new possibilities for virtuosic display by solo instrumentalists. The fast movements in his concerti are notable for their rhythmic drive and the boldness of their themes, while the slow movements often present the character of arias written for the solo instrument.

 

The energy, passion, and lyricism of Vivaldi’s concerti and their instrumental colour and simple dramatic effects (which are obtained without recourse to contrapuntal artifice) rapidly passed into the general language of music. His concerti were taken as models of form by many late Baroque composers, including Johann Sebastian Bach, who transcribed 10 of them for keyboard instruments. The highly virtuosic style of Vivaldi’s writing for the solo violin in his concerti reflects his own renowned technical command of that instrument.

 

Four Stations

Several of Vivaldi’s concerti have picturesque or allusive titles. Four of them, the cycle of violin concerti entitled The Four Seasons (Opus 8, no. 1–4), are programmatic in a thoroughgoing fashion, with each concerto depicting a different season of the year, starting with spring. Vivaldi’s effective representation of the sounds of nature inaugurated a tradition to which works such as Ludwig van Beethoven’s Pastoral Symphony belong. Vivaldi also left more than 90 sonatas, mainly for stringed instruments. Their form and style are conventional by comparison with the concerti, but they contain many fluent, attractive works.


Public Advertising

 

Vocal music

More than 50 authentic sacred vocal compositions by Vivaldi are extant. They range from short hymns for solo voices to oratorios and elaborate psalm settings in several movements for double choir and orchestra. Many of them exhibit a spiritual depth and a command of counterpoint equal to the best of their time. The mutual independence of voices and instruments often anticipates the later symphonic masses of Joseph Haydn and Wolfgang Amadeus Mozart. As more of this repertory becomes available in modern editions, its reputation seems likely to rise.

 

The reception of Vivaldi’s secular vocal works has been more problematic. Nearly 50 operas by him have been identified, and 16 survive complete. In their time they were influential works with appealing melodies and inventive orchestral accompaniments. Nevertheless, the general unfamiliarity of 20th-century audiences with Baroque poetry and dramaturgy, which often appear stilted and artificial, has in the past inhibited their appreciation among nonspecialists. Nonetheless, Vivaldi’s Orlando furioso was successfully revived by the Dallas Civic Opera (now Dallas Opera) in 1980 and was issued in CD recording. Vivaldi’s cantatas, numbering nearly 40 works, are more suitable candidates for general revival, though their quality is variable.


Vienna Austria

With affection,

Ruben

 

Wednesday, April 19, 2023

Eduardo Galeano Poems

 

 

 

 

Eduardo Galeano Poems



 


 

Fires

Each person shines with their own light

among all the others.

There are not two equal fires.

There are big fires and small fires

and fires of all colors.

There are people of serene fire, who don't even know about the wind,

and there are people of crazy fire, who fill the air with sparks.

Some fires, silly fires,

they do not light or burn;

but they burn life with so much desire

that you can't look at them without blinking,

and whoever approaches, lights up.

THE SYSTEM

The officials do not work.

Politicians speak but do not say.

Voters vote, but do not choose.

The media misinforms.

Schools teach to ignore.

The judges condemn the victims.

The military is at war with his countrymen.

Police officers do not fight crimes, because they are busy committing them.

Bankruptcies are socialized, profits are privatized.

Money is freer than people are.

People are at the service of things.

CHRISTMAS EVE

On Christmas Eve, he stayed up working very late. The rockets were already ringing, and the fireworks were beginning to light up the sky, when Fernando decided to leave. At his house, they were waiting for him to celebrate.

 

He made one last tour of the rooms, seeing if everything is in order, and he was doing that when he felt that some footsteps were following him. A few steps of cotton; he turned and discovered that one of the sick was behind him. In the gloom he recognized it. He was a boy who was alone.

 

Fernando recognized his face, already scarred by death, and those eyes that apologized or perhaps asked for permission.

 

Fernando approached and the boy touched him with his hand:

 

"Tell..." the boy whispered. Tell someone, I am here.

TRIP

Oriol Vall, who takes care of newborns at a Barcelona hospital, says that the first human gesture is a hug. After going out into the world, at the beginning of their days, babies wave their hands, as if looking for someone.

 

Other doctors, who deal with those already lived, say that the old, at the end of their days, die wanting to raise their arms.

 

And that's how it is, no matter how many turns we give to the matter, and no matter how many words we put into it. To that, as simple as that, everything is reduced: between two flaps, without further explanation, the trip takes place.

THE GLOBAL FEAR

Those who work are afraid of losing their jobs.

 

And those who don't work are afraid of never finding a job.

 

Who is not afraid of hunger, is afraid of food.

 

Motorists are afraid to walk and pedestrians are afraid of being hit.

 

Democracy is afraid to remember and language is afraid to say.

 

The civilians fear the militaries. The military are afraid of the lack of weapons.

 

Weapons are afraid of the lack of war.

 

It is the time of fear.

 

Fear of the woman to the violence of the man and fear of the man to the woman without fear.

 

Fear of robbers and fear of the police.

 

Fear of the door without a lock.

 

To time without clocks.

 

To the child without television.

 

Fear of the night without pills to sleep and the morning without pills to wake up.

 

Fear of loneliness and fear of the crowd.

 

Fear of what was.

 

Fear of what will be.

 

Fear of dying

 

fear of living

FEAR RULES

We inhabit a world governed by fear, fear rules, power eats fear, what power would be without fear without the fear that power itself generates to perpetuate itself.

 

Hunger breakfast fear.

The fear of silence that stuns the streets.

Fear threatens.

If you love, you will have AIDS.

If you smoke, you will get cancer.

If you breathe, you will have contamination.

If you drink, you will have accidents.

If you eat, you will have cholesterol.

If he talks, he will have unemployment.

If you walk, you will have violence.

If you think, you will have anguish.

If you doubt it will be madness.

If you feel, you will have loneliness.

THE FATHER

Vera missed school. She stayed locked up at home all day. In the evening, she wrote a letter to her father. Vera's father was very sick, in the hospital. She wrote:

 

—I tell you to love yourself, to take care of yourself, to protect yourself, to pamper yourself, to sit down, to love yourself, to enjoy yourself. I tell you that I love you, I take care of you, I protect you, I pamper you, I feel you, I love you, I enjoy you.

Héctor Carnevale lasted a few more days. Then, with the letter from his daughter under his pillow, he went away in his sleep.

THE GRAPE AND THE WINE

A man from the vineyards spoke, in agony, in Marcela's ear. Before dying, he revealed a secret to her: "The grape," she whispered to him, "is made of wine."

 

Marcela Pérez-Silva told me about it, and I thought: If the grape is made of wine, perhaps we are the words that tell what we are.

CRY

It was in the jungle, in the Ecuadorian Amazon. The Shuar Indians were mourning a dying grandmother. They wept sitting, on the edge of her agony. A witness, coming from other worlds, asked:

 

"Why are they crying in front of her, if she's still alive?"

 

And those who wept answered:

 

"So that she knows that we love her very much."

DEATH

Not even ten people went to the last recitals of the Spanish poet Blas de Otero. But when Blas de Otero died, many thousands of people attended his funeral tribute in a Madrid bullring. He did not find out.

 

With affection,

Ruben

Tuesday, April 18, 2023

Eduardo Galeano Quotes

 

Eduardo Galeano Quotes










1.We are all mortal until the first kiss and the second glass of wine. ...

2.I am grateful to journalism for waking me up to the realities of the world. ...

3.Disasters are called natural, as if nature were the executioner and not the victim.

4. If nature were a bank, they would have already rescued it.
5.
Less is always more. The best language is silence. We live in a time of a terrible inflation of words, and it is worse than the inflation of money.

6. Each day has a story to - deserves to be told, because we are made of stories. I mean, scientists say that human beings are made of atoms, but a little bird told me that we are also made of stories.

7. What is the most popular scene in the Bible? Adam and Eve biting the apple. It's not there.

8. I go about the world, hand outstretched, and in the stadiums I plead, 'A pretty move, for the love of God.' And when good football happens, I give thanks for the miracle, and I don't give a damn which team or country performs it

9. The world is organised by the war economy and the war culture.

10.

11. Scientists say that human beings are made of atoms, but a little bird told me that we are also made of stories.

12. Each person shines with his or her own light. No two flames are alike. There are big flames and little flames, flames of every color. Some people’s flames are so still they don’t even flicker in the wind, while others have wild flames that fill the air with sparks. Some foolish flames neither burn nor shed light, but others blaze with life so fiercely that you can’t look at them without blinking, and if you approach you shine in the fire.

13. I don't believe in charity. I believe in solidarity. Charity is so vertical. It goes from the top to the bottom. Solidarity is horizontal. It respects the other person. I have a lot to learn from other people.

14. In 1492, the natives discovered they were indians, discovered they lived in America, discovered they were naked, discovered that the Sin existed, discovered they owed allegiance to a King and Kingdom from another world and a God from another sky, and that this God had invented the guilty and the dress, and had sent to be burnt alive who worships the Sun the Moon the Earth and the Rain that wets it

15. History never really says goodbye. History says, see you later.

16. The Church says: the body is a sin. Science says: the body is a machine. Advertising says: The body is a business. The Body says: I am a fiesta.

17. I am not particularly interested in saving time; I prefer to enjoy it.

18. Celebration of the Human Voice--- When it is genuine, when it is born of the need to speak, no one can stop the human voice. When denied a mouth, it speaks with the hands or the eyes, or the pores, or anything at all. Because every single one of us has something to say to the others, something that deserves to be celebrated or forgiven by others.

19. No history is mute. No matter how much they own it, break it, and lie about it, human history refuses to shut its mouth. Despite deafness and ignorance, the time that was continues to tick inside the time that is.

20. The big bankers of the world, who practise the terrorism of money, are more powerful than kings and field marshals, even more than the Pope of Rome himself. They never dirty their hands. They kill no-one: they limit themselves to applauding the show.

21. Utopia is on the horizon. I move two steps closer; it moves two steps further away. I walk another ten steps and the horizon runs ten steps further away. As much as I may walk, I'll never reach it. So what's the point of utopia? The point is this: to keep walking.

22. Many small people, in small places, doing small things can change the world.

23. We are what we do, especially what we do to change what we are.

24. No history is mute. No matter how much they own it, break it, and lie about it, human history refuses to shut its mouth. Despite deafness and ignorance, the time that was continues to tick inside the time that is.

25. I can't sleep. There is a woman stuck between my eyelids. I would tell her to get out if I could. But there is a woman stuck in my throat.

26. Richness in the world is a result of other people's poverty. We should begin to shorten the abyss between haves and have-nots.

26. Development develops inequality.

27. There are those who believe destiny rests at the feet of the gods, but the truth is that it confronts the conscious of man with a burning challenge.

28. In the struggle of good against evil, it's always the people who get killed.

29. There are those who believe destiny rests at the feet of the gods, but the truth is that it confronts the conscious of man with a burning challenge.

30. If the past has nothing to say to the present, history may go on sleeping undisturbed in the closet where the system keeps its old disguises.

With affection,

Ruben

 

 

Sunday, April 16, 2023

Eduardo Galeano

 

Eduardo Galeano



Eduardo Galeano 1984

(Uruguayan Journalist & Writer Best-Known for His Works ‘Las venas abiertas de América

Latina’ & ‘Memoria Del Fuego’)

Source:The famous People

 

 

One of Latin America’s most cherished and admired literary figures, Eduardo Galeano was an Uruguayan author, who raised his voice incessantly for human rights and social justice. He was a severe critic of globalization and highlighted the dehumanizing facets of globalization in the contemporary world. One of South America’s most renowned writers, he was an ambassador of Latin American history and provided the world an insight into their culture, heritage and struggles, through his passionate and honest writing. Some of his notable works include, ‘Las Venas Abiertas de America’ (translated in over 20 languages), ‘Days and Nights of Love and War’, ‘Football in Sun and Shadow’, ‘Memory of Fire’ trilogy, ‘Am Rich Potosí: The Mountain that Eats Men’ and ‘Children of the Days: A Calendar of Human History’. His books are a distinctive balance of Latin American history and his fictional stories also have elements of Latin American culture and antiquity. This distinguished author also wrote books on journalism and political analysis.

Eduardo Galeano

Birthday: September 3, 1940 (Virgo)

 

Born In: Montevideo, Uruguay

 

Quick Facts

Also Known As: Eduardo Hughes Galeano

 

Died At Age: 74

 

Family:

Spouse/Ex-: Graciela Berro Rovira (M. 1962), Helena Villagra (M. 1976), Silvia Brando (M. 1959–1962)

 

Children: Claudio Hughes Berro, Florencia Hughes Berro, Verónica Hughes Brando

 

Quotes By Eduardo Galeano Novelists








 


Died On: April 13, 2015

 

Place Of Death: Montevideo, Uruguay

 

Ancestry: Indian American

 

Cause Of Death: Lung Cancer

 

City: Montevideo, Uruguay

 

More Facts

Recommended Lists:

 

Uruguayan CelebritiesUruguayan MenVirgo WritersMale WritersMale Novelists

Childhood & Early Life

Eduardo Hughes Galeano was born in Montevideo, Uruguay to a modest middle class Catholic family of European descent.

As a teenager, he did many odd jobs such as working at factories, working as a typist, sign painter, bill collector and bank teller, to earn his living. By the time he was 15, he sold his first political cartoon to the Spanish newspaper, ‘EL Sol’.

In the early 1960s, he began his career as a journalist with the Uruguayan weekly newspaper, ‘Marcha’. He also edited ‘Epoca’, a Brazilian weekly news and analysis magazine.

In 1973, during the time of a military coup in Uruguay, he was sent to prison for a brief period, and later he fled.

Career

In 1971, his book titled, ‘Las Venas Abiertas de America’, an analysis of the Latin American history, was published. The book highlighted the period of European settlement and U.S economic exploitation.

In 1978, he published the award-winning book, ‘Days and Nights of Love and War’. The book revolves around the dictatorial regime in Uruguay in the 1970s.

Between 1982 and 1986, he came up with the ‘Memory of Fire’ trilogy. The collection consisted of the books, ‘Genesis’, ‘Faces and Masks’ and ‘Century of the Wind’.

In 1989, he published ‘We Say No: Chronicles’, which consisted of speeches he delivered, supporting the concept of democracy in Chile.

In 1993, he came out with the speculative and fictional ‘Walking Words’, an illustrated edition that contained folklore tales of rural and urban Latin America.

In 1995, he came up with the book titled, ‘Football in Sun and Shadow’, a book about football (soccer). In the book, the author delves into all aspects of international football.

In 1998, he published Upside Down: A Primer for the Looking-Glass World’. The book offers an account of the relationship shared between the first world and the third world nations.

In 1999, he published the book, ‘Am Rich Potosi: The Mountain that Eats Men’, a fictional account of mountain Potosi in Bolivia, which yielded enormous amounts of silver.

In 2008, he published the book, ‘Mirrors: Stories of Almost Everyone’, which is a reflection of the 21st century world. In this book, he delves into the lives of people living in cities like Mumbai and New York.

In 2012, his book titled, ‘Children of the Days: A Calendar of Human History’ was published. The book was shaped like a calendar and had a story for each day.

Major Works

One of his most influential and seminal works, ‘Las Venas Abiertas de Amrica’ was deemed as a culturally relevant book. A bestseller, it was the most popular book on Amazon.com. The book was presented to President Obama by Venezuelan President Hugo Chavez, after which the sales soared.

His book, ‘Days and Nights of Love and War’ was the recipient of The Casa de las Americas Prize, which is one of the oldest and most prestigious literary awards given in Latin America.

Awards & Achievements

In 1999, he received Lannan Cultural Freedom Prize.

In 2006, he was awarded the International Human Rights Award by Global Exchange.

In 2010, he was the recipient of the Stig Dagerman Prize, a Swedish award.

Personal Life & Legacy

In 1959, he married his first wife, Silvia Brando and divorced her in 1962.

 He married Graciela Berro, the same year.

 

In 1976, he got married to Helena Villagra.

In 2004, he came out with his biographical publication titled, ‘Voices of Time: A Life in Stories’, which offers an insight into his childhood. The book was a moving account of his personal life and experiences.

Eduardo Galeano died from lung cancer on 13 April 2015, in Montevideo, at the age of 74.

Trivia

This Uruguayan author aspired to be a football player during his teenage years. This desire is reflected in one of his books.



 

With affection,

Ruben